Sunday, July 30, 2006

Mini Reviews

Hawkgirl 54
Not much new here. An epilogue of sorts for the just concluded, maybe, storyline and the start of a story that looks like a continuation. Hawkman back? Whassup? I'm not sure I care right now. I had high hopes for this book, but I'm having trouble seeing past the grimaces now. Not counting the weird facial expressions, the art is nice, but the story? I can't decide if it's okay or a waste of time.

Blue Beetle 5
Thickening plot, art that suits the character, and a fun read. Still, I wish this issue hadn't been as confusiong as it seemed to be. I'm hoping things get explained next issue.

JSA Classified 14
I like Stargirl and the idea of this story, but it had a very old, rather worn feel to it. I mean, when or where haven't we seen the "fight club" plotline?

Nightwing 122
There are no words. I won't attempt to find them. This monstrosity isn't worth the effort. The Dick Grayson in this book is as far from the character as any version could be.

Aquaman 43
I'm liking this book more and more. I really like this Arthur Curry, more than the original. His boyish innocence and his quick education is rather appealing. The art is nice and at least feels watery. Slowly, pieces of the puzzle are being filled in, connecting this Aquaman to the other. Just seeing Vulko was a treat, no matter what his form.

Birds of Prey 96
Another solid issue from one of my favorite titles. Nice art, Black Alice comes across as very real and conflicted as an alienated teen with incredible power. And the tribute to Ted Kord was wonderful and very moving. Sin's been a fun addition, though I can't help wondering about another little girl Dinah is supposed to be close to, Lian Harper. Yeah, I've got Roy and Lian on the brain. I wonder if the two girls would get along.

52 12
Gorgeous cover. Isis is a nice addition and helps round out Black Adam. Renee continues to be a painfully real character, an ex-cop who can't let go and can't overcome her weaknesses, so far. I liked the scene with Ralph and Cassie a lot, too. I know there are readers having problems with the pacing, but this is playing out very naturally for me and I love the feeling of real time to it, as if I'm watching it all happen. I feel close to the characters. And we get just enough plot development to keep us wanting more. Classic soap opera and I've always loved the format.

Justiice League of America 0
Everything a zero issue should be (did I really just type that?). Nice art throughout, with each style a good fit with the time frame. The back and forth in time, past to future, with the relationship of the big 3 the only consistent factor, worked well. The flashbacks were captured perfectly. Just enough is said about the past in some of the scenes for us to get the references, without sounding like we're being lectured (As you know, Bob...), and not enough is said of the future for us to obsess over. Sure, folks got married, but to whom is left open so we can come up with our own ideas and not have to rant about the poor choices used. Brad "Fanboy" Meltzer knows his stuff. You might not like everything he does, but I don't think you can argue that he doesn't respect his readers. This one was for us.

Friday, July 28, 2006

Roy Harper Gallery 3


Folks seem to have liked the first 2, so here's a 3rd installment. And because I'm lazy and don't feel like writing reviews. Choosing yummy Roy pics is much more fun. The one above is from Titans (the pre-Outsiders book) 39. Barry Kitson captured Roy nicely.

Next is from Teen Titans/Outsiders Secret Files 2003. Roy sure can fill out a uniform.



Below, we have a shot from Outsiders 2, Tom Raney art. Roy is in fine fighting form. Nice butt, too.


Outsiders 11, guest art by Conrad and Parsons. Roy looks a bit old and I'd been eager to see how Raney would handle this, but overall, the art was suitably moody in this issue which also showed the core of Roy and Dick's friendship. And even with the scars, Roy's got a great bod.

I realized the solict for the October Green Lantern that mentioned Roy, mentioned Roy Harper. Not Arsenal. Ollie was mentioned as Green Arrow. Which leads me to think Roy's remade himself and is either plain Roy Harper for now, or he's taken on a new codename. I am eagerly awaiting that issue and it had better be on time. I don't think I could handle a delay.

Tuesday, July 25, 2006

Roy Harper Gallery 2

Here's the second Roy "Arsenal" Harper photo gallery, as promised. This is one of my favorite looks for Roy. As I recall, this was after he got badly bruised and got his leg broken in battle with Deathstroke. His hair is longish but not too long. No visible stubble, which I also like, but a nice shot showing off his muscles and that fine physique. There's no doubt that he's a strong guy, judging from this pic. It's from the last version of Titans, number 31.

This next shot is Roy pre-bullet wound scars. I haven't decided yet if I should scan some of those. And I was upset when Roy cut his hair right after this phone call for the crewcut look he had in Outsiders, but it really grew on me. And this is such a hunky shot that I won't bitch about his Navaho tattoo that went AWOL from his upper arm. From The Teen Titans/Outsiders Secret Files 2003.


Roy and Donna. They really do make a cute couple. Same as I think Dick belongs with Babs (Nightwing and Oracle for those who don't know), I think Roy and Donna will always love each other on some level and belong together. I just don't know if they could ever live together. Could Roy be faithful? Or is he prone to Ollie Queen's roving eye and other roving parts?

Anyway, here's Roy and Donna K I S S I N G from The Return of Donna Troy part 4.




Monday, July 24, 2006

Roy Harper Gallery 1

I had to do it. I went through my short box (oh so much easier to handle than long boxes and they fit so nicely in the corner of the den) of Teen Titans/Titans/Roy Harper (Arsenal)/Outsiders comics and scanned in many of my favorite Roy panels. There were so many nice situations that would have been wonderful if drawn by other artists. Ah well. There were plenty of nice ones and this is the start of a brief series (okay, probably just 2 parts, unless I dig into the GAs or something) of ones that show Roy off what I love about Roy.

Teen Titans 19. What lovely form. Sure, he's a teen here, but I wasn't far off his age when I read this. Yum.

New Teen Titans 27. What a physique! George Perez did him justice, showing Roy's nicely muscled thighs and a tasteful view of his "package." Strong arms and a peek at his chest complete the look. And oh, the tightness of the costume.

Arsenal Mini-Series 1. I hadn't expected to like Rick Mays's take on Roy, but it really grew on me. He draws wonderfully expressive faces and look at those powerful arms! Yes, "Speedy" has definitely grown up.

Part 2 tomorrow.

Saturday, July 22, 2006

Retconned Art


So, I'm going through what I lovingly call my Roy Harper comics and came across this bit of incongruity. Coloring revisions in "Punish Not My Evil Son." The first excerpt is from the original book, The Brave and the Bold 83. Note that Donna is wearing a white dress and Lance is wearing a shirt and vest, both in obnoxious shades of green to not match his orangey pants.



The second excerpt, of the same panel, is from The Best of the Brave and the Bold 6, on the better quality Baxter paper, I guess. Donna is now wearing a 2-color dress, red with a garish yellow middle that perhaps is supposed to now be a belt, instead of the tight knit it appears to be in the original. And Lance is now wearing a greenish suit with a purple shirt, both a more formal, non-teen-like outfit, and an even uglier color combination than the original.

I've seen this sort of thing done often, in this case and in others. I can understand if it's an improvement, but here it clearly isn't, though it does make Donna stand out even more. And yet, in the original, Dick, Wally, and Roy on the left, are in muted colors, making Donna and Lance stand out. In the revision, Dick and uh, Wally, I think it is, are fully colored, with Roy in blue shadows, and the panel doesn't feel properly blanced. I dunno. Maybe it's just me.

Gonna go find nice Roy shots to scan.

Quick Takes

In no particular order.

Catwoman 57
Not even counting Adam Hughes's wonderful cover (I don't read Lone Wolf and Cub, but there was no missing this take-off of it), this was a great issue. The cover was just the icing that holds it all together. Selina is one fierce momma, showing she's perfectly capable of taking care of her baby while beating on the bad guys. The police quest for Black Mask's killer, Catwoman, moves into the spotlight, with Holly getting nabbed while in her Catwoman costume. Pfeifer takes what could have been simply a predictable plot turn and makes it exciting. This is one comic that for me makes a month seem like a long time.

Flash 2
Easier to follow than Flash 1. I enjoyed this, even though I don't like Bart. It says a lot about the book that I actually felt for him.

Atom 1
Intriguing. This book hit the ground running and I'm looking forward to seeing where it goes. I like that Ray is not forgotten. Ryan Choi seems like a fun character and it's always nice seeing some variety in a title character re: ethnicity. And I love how he had a prior relationship of sorts with Ray.

Green Lantern 12
I never read the Parallax stories, so this provided nice background and fits into continuity, which I always appreciate. Nice bits for Guy, too. The art was very nice.

52 10-11
I like how they're balancing the various storylines and characters. Kate Kane makes her Batwoman debut and Renee shows she's smart enough to realize who the new Batwoman is. I love Renee's narrative voice and I'm really enjoying this book.

Green Arrow 64
A serviceable story, nothing special. I do like Brick in his *new* role. They're supposed to get to what happened during the missing year, so I'm looking forward to that.

Supergirl 7
As a science fiction or fantasy type story, this is intriguing. As a superhero book, I'm not sure. I know I'm missing stuff because of the years I wasn't reading the DCU, but I'm still interested enough to want to see what happens. The payoff could be worth it, so I hope I'm not disappointed.

Shadowpact 3
I love these characters, but this first story could've been more interested, or at least, have had a more thrilling ending. Still, a pleasant diversion.

Friday, July 21, 2006

Mea Culpa

No reviews tonight. Not much of anything. The A/C in the bedroom died, and so apparently, did the outlet it was plugged into. I've got A/C in the den where my PC is, but sleeping in the bedroom hasn't been fun this week, but at least, the near-100 degrees heat broke today. My brain still feels fried, though.

Things are piling up, demanding my attention, including stacks of comics. I have 9 so far to review, probably more when I get around to it. Maybe tomorrow or Saturday.

I want to post the remainder of my published LoCs to DC here, too, which means the time to type them up.

And after that, I want to do some Roy Harper blogging. If other folks can blog about their fav comics characters, well, by golly, so can I.

And I'm thrilled and honored by all the folks who read her, regularly and sporadically. The stats here are the highest among my blogs, with Cyber Chocolate, and sometimes, The Write Stuff and Shelly's Book Shelf coming close, but this blog consistently draws readers. Thanks. If there's something you'd like to see me blog about here, comics-related, just leave the suggestion in the comments and I'll see what I can do.

Tuesday, July 18, 2006

It's Roy!

My first Roy Harper sighting, in DC's October solicitations. Green Lantern 15.
"Written by Geoff Johns; Art by Ivan Reis and Oclair Albert; Cover by Ethan Van Sciver
Part 3 of "Wanted: Hal Jordan," guest-starring Alan Scott, Green Arrow and Roy Harper! Wanted for murder and on the run, with John Stewart's life on the line, Hal Jordan struggles to clear his name once again. But who put a price on his head? And what do they want from Green Lantern? "
This better come out on schedule.

Otherwise, I'm a bit disappointed in the amount of missing covers for the October listings so far.

However, Catwoman 60 sounds very good and the cover is as usual, gorgeous.
"
Written by Will Pfeifer; Art by David Lopez and Alvaro Lopez; Cover by Adam Hughes
Holly's in the slammer thanks to Catwoman's murder of the Black Mask! Selina's got to get her out, and fast. Problem is, there's a serial killer running amok in Gotham City — and Selina helped put him there!"
And the past year storyline is going to continue in Green Arrow, but I didn't see Hawkgirl listed. Now that I think of it, I didn't see Manhunter, either. I hope we can keep that book afloat.

But the real good news is that Bruce Jones is off Nightwing! The solicit for NW 125:
"Written by Marv Wolfman; Art by Dan Jurgens and Norm Rapmund; Cover by Andy Clarke

Dick Grayson begins a new life and faces off with a new enemy as new series writer Marv Wolfman (TEEN TITANS) and art team Dan Jurgens (ACTION COMICS, 52) and Norm Rapmund (SUPERGIRL) take over NIGHTWING!

Raptor — a powerful new foe with an arsenal of deadly weapons — is wanted by the police and hunted by Nightwing. When he's found standing over a charred, dead body, the police call it murder, but Nightwing isn't sure. And even if it means an enemy goes free, Nightwing must uncover the truth!
"
Well, I'm jazzed.

Reviews of stuff to follow, tomorrow night, maybe. The heat's supposed to break tonight and maybe my brain will start functioning properly again. Feels a bit melted right now.

Saturday, July 15, 2006

Women and Writers and Women Writers

First in a maybe series of rambling posts, streams of consciousness, whatever. And this one is long.

Here's a Gail Simone interview that is worth reading. And almost anything by Ragnell at the Written World.

I blogged a bit about feminism and comics before, but since the topic is important and is at the fore right now, I figured it was time to discuss it again. I don't do the carnival thing. There's something about blogging on a schedule that I mentally rebel against. Even memes are passive. I either do one or not; I haven't made a commitment to do any, except the one I started over on Shelly's Book Shelf. So my lack of participation in the Feminism in Comics carnival, or whatever it's called, is not from lack of interest.

I agree there's sexism in comics and yes, it's ingrained, to the point that the majority of the people in the comics industry, especially on the creative side, don't see it. They do see what sells and of course, the more females are exploited, the more the core audience will buy the books. Seeing an audience that isn't there yet is a tough concept for the bottom-liners. They don't necessarily get "make them and they will come," meaning, make more comics female readers can enjoy (and I don't mean a return of romance comics and that ilk, necessarily, or the comic equivalent of "Sex in the City") and girls and women will buy more comics, improving the bottom line. And women like me who have long bought male dominated comics or female comics with a male sensibility are under the radar in that we're lumped in with the general readership that supports the concept that what's selling is what will keep selling.

A number of years ago, I managed a neighborhood library with almost no science fiction but a lot of fantasy books. I was told there were no science fiction readers in the neighborhood. Being a devotee of SF who doesn't read much fantasy, I continued to buy fantasy at the then current levels, but upped the SF titles. They slowly found an audience and the 6-7 regular SF readers who started coming in via word of mouth (Hey, they got SF there now!) borrowed those books heavily.

I was also told there was no need for home and furniture repair books. We were, after all, in Manhattan, land of apartments. But I bought some general repair books because I know men have a tendency to not ask for something if they don't see it. Those became very popular and a few men took the time to tell me how much they appreciated the collection changes. The additions I made to the sports section was equally appreciated by our male readers, and even some of the women. See, any group can be marginalized. In some areas, it's the men. Same as it's people of color regardless of sex.

From Merriam-Webster's online dictionary.
Exploit: "1 : to make productive use of : UTILIZE (exploiting your talents) (exploit your opponent's weakness)
"2 : to make use of meanly or unjustly for one's own advantage (exploiting migrant farm workers)"

Exploitive: "function: adjective
: exploiting or tending to exploit; especially : unfairly or cynically using another person or group for profit or advantage (exploitative terms of employment( (an exploitative film)
- ex·ploit·ative·ly adverb"

Exploiting someone or something isn't necessarily good or bad. It is often a good idea to exploit something to one's advantage. But exploitve has become a negative. The problem is getting a consensus on what's exploitive.

I've encountered a lot of disagreement over the years as to what is exploitive or what is stereotypical or what is a negative image. When is something sexual and when it is sexualized. And there is no easy answer because we each have our own definitions of a concept (as per Wittgenstein).

Is a woman who takes advantage of her sexuality, her beauty, her femininity to further her goals an anti-feminist? Or is she simpy a realist, using what's available to her? Is she setting back the cause of feminism or is she clever? Is a woman who is agressive, acting in a manner people have described as masculine simply a feminist not wanting to be pigeonholed as a weak, or is she trying to be more like a man, denying her true nature?

The truth is all that in-between ground. There are men and women at both ends of the spectrum and a fair amount of overlap. True equality is when people can be who they are and folks don't criticize them for it. It's when a woman can be feminine or masculine without it being an issue for anyone. It's when a man can show feminine or masculine aspects of his personality without being criticized, either. Someone (I can't recall who, but he was in education) once said that equality isn't about the best and brightest having equal opportunities to succeed, but when people with mediocre skills get the same chances as other people with similiar skills.

I've said before that I don't want to eliminate cheesecake shots (though appropriateness for the situation should be considered). What I want is my equal opportunity to see beefcake shots. I don't think having a sexualized media, in comics or otherwise, is bad. I do think we need to have alternatives to it. If all comics were oversexed, then yes, it's a bad thing because there is no choice.

Artists seem to like drawing the female body and showing off a characters physical attributes. I don't begrudge them a little fantasizing when they do that. Same as when they show off the muscles of the male characters, perhaps a bit of wish fulfillment on their parts. Who knows. As a writer (alas, still amateur in status), I can certainly relate to fantasizing and going for the angst. I just give it more to male characters than females. I actually expect that sort of thing to go on.

I've been reading about the backgrounds and experiences given to female characters vs males in comics, mainly the rape scenario. It's hard to come up with something for females to overcome. Sure, death of parents is available, if a bit overdone (ie, Batman et al), or last survivor of a planet (Superman, but then they diluted that with Supergirl, Krypto, Argo City, etc). But rape is easy because it's more likely statistically to happen to females than males. It's a theme used often in novels, and that includes by women writers. Yes, I'd like to see some more imagination here, but I also don't want to eliminate the desire to give characters built-in angst. Perhaps more male characters who were abused as boys, perhaps by their uncles, priests, etc, right out of the headlines.

The issue here for me isn't what is being done to females, but the uneven distribution of angst between males and females. When are we going to get the boyfriend's body in the refrigerator, or when are we going to get enough of them to help even the odds.

Yet I don't want the male supporting characters to be wusses to help balance out the weak female supporting characters. Both can be strong, really. Or maybe just individual characters instead of types.

Actually, I want to skip right to equality. In books and movies, I've seen the backlash, the strong female character, the repressed males (I'm reading a science fiction novel like that now). I've even read science fiction which exagerated the issue with female slaves and male overlords to show how harmful such attitudes are. It's all so been there, done that to me. I want strong characters and weak ones, regardless of sex. I want interesting characters with interesting backgrounds and adventures. I want characters who react as individuals and not as stereotypes to what their fictional lives throw at them. I want writers and artists to be able to express themselves without being second guessed re: motives. I want art and stories to not reek of cliche and sensationalism, where the creators seem to be thumbing their nose at the sensibilities of the audience, rather than expressing themselves. I want to get to the good stuff and I want it to all be good, with the understanding that I won't like all of it and that's okay.

Because right now, every word, every angle of a woman's body, every millimeter of exposed comic art skin is being scrutinized way too much for my taste. I get why it's being done and I get why it needs to be done. But I just want to get back to enjoying comics and for creators to be able to create. And if someone doesn't like something, they can speak with their wallets. Which, when you think about it, is what's going on now. Only the people who like that exploitive stuff get to speak louder because the other stuff isn't out there yet in sufficient quantities. We need to fix that by creating it, not change what's already here.

Saturday, July 08, 2006

In Brief

Sheesh, I've gotten lazy about posting reviews. So, here are quickies on what I've read recently.

Secret Six 2
Damn but I love this cover. Sure, it has its cheesecake appeal, but it's also evocative of old western pulps in a way and has a nice 'kiss my ass' feel to it. As for the story, I enjoyed that, too, as the mystery deepens. I love this team. I love that they walk the edge. In some ways, they're more like what the Outsiders were supposed to be and aren't. The relationships are complicated and the characterization is complex. Favorite line, from Cheshire: "But I actually ordered two teams after him to make sure he was dead. Parental custody issues have plagued me in the past." So nice to have some acknowledgment that Roy and Lian likely haven't been retconned out of existence. Plus, it made me chuckle.

Outsiders 38
Nice cover. Mallah and the Brain are still loopy. But, Why am I still reading this? (That's rhetorical.)

Sergio Aragones SOLO
Sergio Aragones! Need I say more? I've been enamored of his work since I was a kid and first saw his marginal thinking drawings in MAD some 40 years ago. Some serious stuff in here with the zany.

JSA 87
Nice ending to this old-fashioned tale. I really enjoyed the background on Gentleman Ghost. Nice to know Courtney is still a virgin. And confirmation that no one else there is, including Jakeem, I guess. Boys will be boys. And I love the camaraderie of the gang, the feeling of longstanding friendships.

Blue Beetle 4
This is still entertaining me. I'm intrigued by the story, the characters are fun, and the art suits the book perfectly.

Catwoman 56
There's a real sense of danger here, the scenes with Holly and Selina feel real, and the cover, as usual, is wonderful. This book continues to be among the DCU's best. Nice and adult, with a sense of fun mixed in with the danger.

Hawkgirl 53
Very odd story. Favorite line, when Kendra exclaims, "You know?!", Grubbs answers: "I've known...for a long time...I'm a... cop, for crissakes." About time a cop in a comic uses his or her brains and figures out the obvious. I was sorry to see him croak. I liked him. And while I usually don't mind some gratuitous skin being shown, I thought the need to strip Kendra down to her bra (bottom of costume was thankfully left intact) was a bit unnecessary.

52 8-9
Story is moving along nicely, with 9 shifting the focus a bit to Steel, Lex's latest scheme, and the little group marooned on the weirdo planet.

Shadowpact 2
Another fun group of heroes. Not much happened, but it was fun, anyway.

Warlord 1-5
I'm actually enjoying this remake. In some ways, I'm enjoying it more than Grell's Warlord. I like how the Skataris realm is being woven around "our" realm, or is it the other way around? The art is messy. I can't tell half the characters apart in some panels. And yes, some of it reads like a cliche, but it's pretty fast and breezy, so I'm sticking around to see where things go.

Tuesday, July 04, 2006

More Stuff for Sale


I cleaned out some more stuff and found a few more comics-related items I can bear to part with, to make room for new stuff I keep buying. There are some artist guides (G. Perez, N. Adams, Bros. Hildebrandt, F. Frazetta), Killraven: Warrior of the Worlds Marvel Graphic Novel 1983, and this gem.

This is probably the worst time of year to list things, but I have the time and I need to clean stuff out of the apartment. I have a few more items to list, including a couple of comic con programs from the '70s and Alien: The Illustrated Story. I'll probably get those up in the next day or so, if that interests anyone.

Sunday, July 02, 2006

Calendar Pin-Ups

I found this calendar while cleaning out a cabinet and thought, wow, how cool. I wonder if I could sell this on eBay. So I searched eBay auctions for it, mainly completed ones, to see if anyone had auctioned it before and what they got, and I was stunned.

The two I found listed were of the calendar sealed in its original celophane. One was part of a lot that included 2 other calendars, a puzzle, a toy, and I think a couple of other things, and the whole lot went for less than 10 dollars as I recall (it was late last night and my memory is a bit suspect even when I've had sufficient sleep). I IMed a friend, and she was as shocked as I was.

The second calendar's auction was worse. Just the calendar, sealed in its packing, went for 99 cents!? Sheesh. This is a beautiful calendar. The illustrations are by Neal Adams and inked by Dick Giordano mostly, and Giordano did a few of his own for the interior. There is art everywhere in here, including the days of the week (clearly, it wasn't useful to actually write down your own events and reminders). The days are filled with such tidbits as birthdays of characters and anniversaries of events in the DCU as of 1976. Today, for ex, July 2nd, was the birthday of Tawky Tawny, the Talking Tiger. Yeah, I know. I got choked up when I saw that, too.

This is the sort of thing I wouldn't sell cheap, certainly not for a buck plus postage. I'm seriously decluttering and while I wouldn't mind keeping it as it's not too big, I wouldn't mind finding it a good home for a decent price. I could try it on eBay (I've been considering the lack of photos of the interior art hurt the earlier auctions) or I could try an auction here. Maybe everyone who wants this already has one. Who knows. It just seems criminal that mint condition editions of it went for pennies.

Anyway, here's July in celebration of the US Independence Day.